Movie Review: ‘Jurassic World Rebirth’ puts a wobbly franchise back on track with superb installment

Published On:

Written by Mark Kennedy

Hold off on thinking that the shark is going extinct if you’ve been feeling that the Jurassic Park movie series has leaped an even older monster. According to the most recent entry, this ancient dinosaur series is still relevant.

Related Articles


  • Chef Nobu serves his famous miso cod with a side of inspiration in a new documentary

  • Enzian Theater revamps leadership with new executive director

  • Matthew J. Palm: Hocus Pocus, E.T., Psycho in special movie package

  • F1 The Movie review: Brad Pitt-led racing film a thrilling summer ride

  • Column: You know him as Pee-wee Herman a new documentary dives into the life of Paul Reubens

The awe and grandeur of the overgrown lizards, which were absent from many of the films, are captured in Jurassic World Rebirth. Without them, the films would have been a never-ending game of cat and mouse in the dark between terrified humans and raptors or T-Rexes. Daylight is introduced in Jurassic World Rebirth.

Credit is due to filmmaker Gareth Edwards, who has experience with gigantic reptiles as the director of Godzilla (2014), and author David Koepp, who wrote the original Jurassic Park.In collaboration with photographer John Mathieson, they have brought the franchise back to its successful beginnings.

Even while Jurassic World Rebirth introduces fresh people and a new future, it nonetheless pays homage to the past. It’s a monster-filled heist film that takes place on the abandoned, dilapidated island where the first Jurassic Park research facility was located.

Both Mahershala Ali and Scarlett Johansson are extremely modest and imply a kind of sibling chemistry in their work as security and extraction experts. Alright, mercenaries are used to extract DNA from dinosaurs, which is what everyone wants in these films. There is $10 million in exchange.

The film takes place approximately thirty years after the reanimation of dinosaurs and five years after the events of Jurassic World. They have suffered with the environment, congregating at the equator, and have lost their public fascination—possibly as a subliminal tribute to the franchise’s films.

ParkerGenix, a large pharmaceutical business, has developed a game-changing concept: To treat heart illness, extract DNA from three enormous Cretaceous-era animals: the land-based Titanosaurus, the watery Mosasaurus, and the winged Quetzalcoatlus. Hold on, how does that operate? Please don’t ask us about hemoglobin.

The catch is that in order to retrieve the DNA, the dinosaurs must be alive. Why? Because, stupidly, there wouldn’t be a movie. It would show a man with a syringe and a white coat for ten minutes. In this manner, we honor three different dinosaur species in three distinct chapters.

The last movie, which featured a biogenetic granddaughter, a global pharmaceutical conspiracy, the cast members from both trilogies, a Giganotosaurus, giant locusts on fire, and the absurd choice to have Chris Pratt promise to bring home a baby dinosaur to its mother, may seem a bit unrealistic.

A family consisting of a father, his two kids, and a dubious lover on a 45-foot sailboat that has overturned and has to be rescued interrupts the three-part quest at the center of Jurassic World Rebirth. They inject humanity and a dash of not-always-working comedy into the extraction squad, which also comprises a museum-based paleontologist (played by Jonathan Bailey) and a too-easily-telegraphing villain (played by Rupert Friend).

In addition to making witty references to other popular movies like Indiana Jones, Star Wars, Jaws, and ET, the producers also construct an exciting sequence that features dinosaurs hunting in a convenience store, which is a throwback to the original movie’s dinosaurs hunting in a kitchen. Overall, the views are exquisitely constructed, ranging from twilight silhouettes on a boat to the actors rappelling down a 500-foot rock face and nearly feeling the burn of the ropes.

From a sleeping T-Rex on a riverbed to the ones writhing in the ocean, the animals here are magnificent, with all their muscle and bulk. The scene when two long-tailed Titanosaurus entwine their necks while John Williams’ well-known score plays is a highlight. The lovers have thick, knotted skin and are completely unaware of the bothersome humans who are requesting DNA.

Candy appears throughout the film for whatever reason, from the opening scene where a stray Snickers wrapper causes irreversible damage to licorice given to a baby dinosaur and one character’s love of crushing Altoids.

Between frenetic, superbly produced action scenes, Edwards’ timing allows personalities to develop and dread to grow with the sound of trees rustling. As long as the voracious dinosaurs are kept out of the area, Thailand’s stunning scenery—which includes waterfalls, grassy plains, coastline caverns, and mangrove swamps—should be leveraged for a tourism campaign.

There is a bonus section at the end, as if all of this wasn’t enough. The long-gone research facility was breeding dinosaurs and creating genetically modified monsters that are still on the loose. One is a 20,000-pound T-Rex with a deformed head and a terrible growl, while others resemble a repulsive and frightening mix of a turkey, bat, and raptor. It is like to receiving a free monster movie.

Like their mercenaries, the creators of Jurassic World Rebirth are attempting to recreate the enchantment of Steven Spielberg’s 1993 blockbuster original by going back to the source code. They have achieved fantastic success.

Universal Pictures’ Jurassic World Rebirth, which releases in theaters on Wednesday, has a PG-13 rating due to strong action and brutality scenes, graphic imagery, some suggestive language, and a drug allusion. 133 minutes of running time. A rating of three and a half stars.

Leave a Comment